He Loves Me, He Loves Me Not: On the possibility of love in the face of structural violence
In Killers of the Flower Moon, Martin Scorsese makes contact with the frontier and the act of colonialism itself. Killers considers loving and not loving; it is concerned with the possibility of love in a relationship founded on deceit and dispossession. The film depicts the real-life systematic murders of the Native American Osage people through […]